Game of Thrones behind the scenes. (PART ONE)

WARNING:  POSSIBLE SPOILERS AHEAD……well sorta.  Slight mild spoilers ahead where I sort of mention characters that haven’t appeared in the books yet, fan theories, and one picture that is a spoiler but only if you know it’s a spoiler…….so really, if you care that much you probably already know.  :)

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The inspiration for this shoot came from withdrawal symptoms as season four came to an end.  It was sooooo good this year too.  You know the feeling when you read a great series or binge on an awesome TV show and then suddenly it’s over and you have no idea what to do with your life?  Well, that’s me….only I did know what to do with my life!  DENIAL!  I threw myself into GOT and pretended that season 5 was just around the corner.  Hours of just sitting around thinking about GOT, drawing designs for GOT, talking about it with friends who were getting really tired about me talking about it all the time, and falling asleep to the audio book.

I started by creating a couple designs to try and get people excited about the project.  I posted the designs on a Wellington model/photographer Facebook group hoping to snare a few talented fellow nerds….and BOY did some amazingly talented people jump on board!  I was lucky to connect with photographer, Matt Barnes, who was also a GOT fan and was really excited about the concept. Together we finalized the casting and came up with the idea for the backgrounds and props for each house. We were really lucky with the casting as all the models really brought out the feel of the different houses.

Each house design had it’s own inspiration story and challenges for the makeup, here’s the story behind each one.

BARATHEON

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“Ned honey, did you just tell Cersi everything? What, what, what are you doing! Look at your life….look at your choices…”

Let’s start with Baratheon.  One, because it’s the first design I did and second…LOOK IT’S ME!  I don’t normally model in my own projects, but in this case it was hard to find models who would shave off half their eyebrows….can’t imagine why.

I actually didn’t connect that much with the Baratheon house so this was one of the harder looks I worked on.  I decided to just draw inspiration from the house words, “OURS IS THE FURY”.   Ok, so think really angry deer…..and GO!  I had seen quite a few takes on the antler/eyebrow thing.  I practiced a few different versions out on myself.  It kept looking too heavy and weird…..in the end I tried to choose a thin shaped that matched the profile view of the horns you see on the Sigil.  However for it too look the way I wanted it too, it meant lifting up the ends and shaving of the ends of my eyebrows.  I could have tried to wax them down and cover them with makeup, or photoshop, but it would just look cleaner and better in the pictures to shave.

The most difficult part of application for this look was getting it symmetrical….which didn’t really happen as much as i’d like.  I still like the “angry crying mascara lines” running down my face, even if they are a bit uneven.

Originally the lipstick was going to be black.  However, I went with purple in the end because it complimented the yellow so well.  The lipstick I used was Ausralis COLOR INJECT shade:Grunge

The crown you might recognize from the show.  I created a replica of Renly’s crown from the show.  I liked his the best because it was so pretty.   I created the crown out of clay and painted it with gold acrylic.  I would not recommend clay as a good cosplay material.  It was quick and easy to work with but incredibly fragile.  It lasted just long enough to get some pictures and then promptly shattered later that evening.

For the final photos we ended up with Renly’s crown, Robert’s curly black hair, and Stannis’ complete lack of humor.   So all three Baratheon boys were represented in one photograph!

This is my favorite makeup look of the series…but I’m probably bias.  I was happy with how well the yellow showed up……..and as I’m writing this, I’m very happy to announce that my eyebrows have finally grown back!

 

 

LANNISTER

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Creating the look for house Lannister was my second task.  It was this look that set up the idea to put in hidden references from the book.

Lannister was originally going to look much more elaborate and have lion designs all over her face.  I was inspired by the decorations that you see in the Tower of the Hand.  In the show there are these fantastic cast iron lions.

got0306-1528There in the middle!  It had some amazing shapes.  I wanted to have that whole lion shape painted on the face originally.  In the end I took some pictures of cast iron fences/metalwork, old Victorian designs, and some of the embroidery from the actual Lannister costumes, to create the gold look around the model’s eyes.

The idea for the golden hand started out as just an excuse to use more of the gold paint.  I love the gold Mehron powder I have.  It’s so much fun to work with.  I once covered an entire model head to toe in it! (Thanks again April!).   Not only would I get to use more gold but other fans would love the reference. Matt loved the reference so much he insisted we have a reference in EVERY picture.  Dang that Matt, making me work and have to think more about stuff. Sheesh.  :P

Casting Lannister was a bit difficult because we didn’t want to use a wig if we didn’t have to.  The lovely Ange Fitzharris had such a Cersi look, and as an actress could bring the Lannister attitude that we needed.  However, her dark auburn hair meant having to make ONE exception to the wig rule.   Using the wig meant not having a more elaborate hairstyle, but the end result was fantastic and now we all think Ange needs to go blonde!

 

MARTELL

10584015_739362022777864_7146675271848077308_nOh, the Martells!  One of my favorite houses in the entire series!  Dorn is where I would want to live if I existed in the Westeros universe, and not just because of their healthy attitudes toward sex and the female right to inheritance and right to rule……it’s because it’s HOT….and has warm winters so when the long winter finally comes and the White Walkers march forth on Westeros, Dorn will be the last standing!  I’m getting off topic…..

Martell was one of the only looks inspiring by the casting.  Miss. June Moon was the first person to respond to my casting summons.  She was an obvious choice for Martel from the start and I created the makeup look specifically for her.  There was a great picture on her FB page where she was wearing a similar headpiece to the one you see above.  It just looked, so…..Arienne!

I wanted a really dramatic and color full look.  I took a lot of pictures of Bollywood makeup and worked from there.  I added the flame design on the cheek to represent the Martell sun.  At one point I considered adding a spear in the makeup as well, but each way I tried, it ended up looking a bit overkill and silly.

The amazing headpiece you see was a handcrafted piece made specially for this photoshoot.  The amazing owner of CIRCLE of WOLVES JEWELRY designed and crafted it for us.  It was somewhat inspired by the lovely headpiece you see Ellaria Sand wearing at the Purple Wedding.  It really brought the whole Martell look together and added that extra flair that all Dornish women have.

For the secret reference, I really wanted to find a live red viper June could wear around her neck….obviously this was harder said than done.   The reference ended up being the sun that was so wonderfully added into the headpeice….June also gave us some great viper like facial expressions to seal the deal.

 

TYRELL

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Tyrell is another one of my favorites.   I didn’t have to do too many drafts of this look.  It came together rather quickly.  Perhaps that’s because the Tyrell colors of green and gold just look so great together.   I wanted the look to represent the wealth and elegance of the Tyrell family.   I spent a lot of time looking at lace patterns.  The costumes from the show were a big inspiration as well.  The Tyrells are all about patterns.   I drew a lot of patterns with Roses hidden in them….I loved the idea of hidden roses, even though the Queen of Thorns would disagree with me.

I know the Tyrells are actually sharp, ambitious and DANGEROUS…but on the outside they stay soft and pretty, which is their best disguise.  It’s the softer look that I went for in the green eye design.  I was so excited to find such a brilliant emerald color.  After this shoot I’m head over heels for my BH cosmetics 120 color eye shadow pallet.  The green pigments showed up great.

While I love my gold color very much, the way the light reflected off of it, a lot of the detail was lost.  :(  It still looked quite lacey but I don’t think anyone could point out the roses in the design.  Here is the original design plot…

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I was quite excited to get to use my GOT hair skills with this look!  There are only a few of the photos that have hairstyles straight from the show.  I actually do my hair in the style of Margery Tyrell quite a lot.  Her curly half updo, is incredibly easy to do.  I’ve left a link at the end of this blog to my favorite tutorial.

Tyrell was the very last look we cast.  We were actually getting a little worried.   Then I got a message from a Miss Morgan Davison.  “Yes, her, that’s the one!”  Big doe eyes, lots of hair and resembles a cross between Natalie Dormer and a Young Diana Rigg  (Sidenote:  How amazing was that casting!  Natalie dormer actually looks like she could be Dianna Riggs granddaughter.  It’s just too perfect.)

I considered creating Megan her own crown made of thorns as the Tyrell secret reference.  It ended up being another no-go, for various reasons.  Partially, we just ran out of time, but mostly I was having trouble creating something that CLEARLY looked like thorns.  It kept looking like a tiara made out of barbed wire.   We ended up going with a Golden rose in her hair.  I think it looks great but again…I can feel Olenna Tyrell’s stern look of disapproval…..

“I eat from plates stamped with roses, I sleep in sheets embroidered with roses, I have a golden rose painted on my chamber pot — as if that makes it smell any better. Roses are boring, dear.”~Olenna Tyrell

 

OK! It’s getting late!  Apparently I talk a lot so this post has gone on very long.  I will be posting part 2 later where I talk about  Tully, Targaryen, Stark, Greyjoy and Bolton!

Ta ta for now, I’m going to bed!\

 

FACEBOOK:  https://www.facebook.com/allisonchasemakeup

PHOTOGRAPHER:  https://www.facebook.com/MattBarnesPhotography

ANGE FITZHARRIS:  http://www.starnow.co.nz/angefitzharris

JUNE MOON: https://www.facebook.com/MissMoonlovesyou

CIRCLE OF WOLVES JEWELRY: https://www.facebook.com/circleofwolvesjewellery

MARGERY HAIR TUTORIAL: https://www.youtube.com/watch?v=f25zUq6ScT8

 

 

 

 

Crypticon Makeup Contest

The OCD part of my brain doesn’t want me to write this blog post because it’s out of chronological order and happened BEFORE the previous post about Game of Thrones.  But, I’ll got ahead and write about it anyway because it was a very hectic ordeal and I was really proud of how it turned out.

It all started when a film friend of mine, Kai Winikka, informed me about a makeup contest held by Kansas City Crypticon.  For those of you who don’t know Crypticon is a Horror Convention held each year.

The main rule of the contest were that you had to be finished in TWO HOURS.  For those who have worked with me, especially doing any kind of special effect or body painting, I can be a perfectionist and so I usually take a little longer to finish a makeup look than others.  It’s something I’ve been trying to improve on with each new project.  But this would have been the largest project I’ve ever attempted in such a short amount of time.  It would require quite a lot of prep work.

I was lucky that I found out about the contest over a month in advance.  That gave me a lot of time to come up with an idea and make the needed prosthetic.

I’m not really sure how to describe my design process.  It’s like when you have a thought that runs away with you….or when you look up something on wikipedia and next thing you know it’s been two hours and you’re learning everything about fancy beaver skinned hats and the increased popularity of silk top hats in the 1800’s but you can’t remember how you ended up on there.  That’s how a lot of my design process goes.  I’ll start by doing a lot of research and just looking at pictures of bugs or monsters and various things that tend to freak me out.  Then i’ll just sit in my bed and let my mind wander as I fall asleep.

I remember seeing a wonderful picture of bodypaint that someone had done.  She had turned her mouth into an eye.  It was very creepy looking.  Drawing eyes is actually something i’m pretty good at.  Many tests and pages of homework had eye balls drawn all over them, as I practiced, to the distress of my teachers.  So I started thinking about a creature that was blind but had eyes on her knees.  Then I started thinking what if she had lots of eyes all over her body.

I also drew quite a lot of inspiration from this video called scary beautiful.  http://www.youtube.com/watch?v=2j6EfYa8zcI

It’s a lovely short film that makes you think about that line between the beautiful and the grotesque.  I really wanted to touch on that.  I wanted to make a character who was both stunning and horrifying.  Through these thoughts a character began to emerge.  I did have to scale my original idea back a little.  I would have loved to have the shoes in the video and have the character seeing through her knees with eyes all over her body, but I cut it down to just the eyes on the chest due to time…..and the fact that I had no idea where to get shoes like that.   The mouth on the torso was added after I finished designing the face.

One of the inspirational pictures.

One of the inspirational pictures.

A still from Scary Beautiful

A still from Scary Beautiful

An EYE I had done back when I worked at the Haunted Houses

An EYE I had done back when I worked at the Haunted Houses

So now I had a character.  Now to actually make it a reality.  My good friend Eva Melinda, agreed to be my model.  We started out taking a life cast of her face.  It went pretty smoothly.  I get a little better at it each time.  There were relatively little bubbles left in the alginate.  Also, I didn’t suffocate Eva to death, so bonus.   I didn’t have quite enough liquid stone to put in the mold right away, and it ended up a little too runny.  That meant that the alginate began to dry and shrink before the stone set.  It changed the mold a little, but not enough that it mattered very much so I didn’t have to re do it.

Now, I’m on a pretty tight budget.  There were lots of things I would have liked to have done but can’t because of the little amount of disposable income afforded to me (Almost everything I made went into savings for my move to New Zealand).  But no worries, Allison Chase McGuyver of Makeup is on the case.  Instead of buying stuff to make realistic looking teeth, I took some hardening clay and molded the teeth out of that.  Then I painted the teeth with layers of fingernail polish to give them a glossy look.  I just happened to stumble across a nice off white transparent color that looked very realistic over the first coat of white.

I was able to get an AMAZING deal on some great Chavant NPS MEdium clay on ebay.  Normally pretty expensive but I got it at a steal.  Using the right materials makes all the difference. I was pretty excited with how the sculpt turned out and was planning to do an additional forehead piece if everything went well with the mouth……………..which it did not.

The mold mid sculpt Unfinished mold

Ok, so the part about using the right materials……..that’s important.   Basically what happened to me is that I didn’t do the mold right and it stuck.   I ended up breaking off some detail of the sculpt when the mold was removed as well as part of the bust.  Then, when I put the silicone in, it stuck again!  This time it was even worse.  I had to break the mold to get it to release.  Had the silicone not come out right, or ripped in the process I would have had to start all over.

I got pretty lucky.  Most of the prosthetic was ok.  The great thing about the material that I used was that I could mix up more silicone and mold it on to the piece to recreate anything that was lost.  I had to take some very sharp tiny scissors and add the holes for the teeth that were lost.  By the time I was done it ended up looking exactly like the original sculpt, minus some of the texture.  The main issue I would have to solve was getting the seams thin enough.  It would just mean adding more silicone when I applied the piece…which would work but it would take more time to get right.

THE DAY OF THE CONTEST finally approached.  Oh man.  I get nervous before shoots a lot, but I don’t think I’ve ever been as nervous as that day.  One of the judges was Tom Savini.  He’s a very famous makeup artist and has been a judge on Face Off.  Any bad seam, or terrible airbrush job would not go unnoticed.

The team met up at my apartment to do all the pre work.  The amazing Amie Kankelfitz did the bob hairstyle on Eva.  Poor Eva.  She’s always such a trooper when I do weird makeup things to her.  She had to wear blurry contact lenses that restricted her vision during the entire day.  She also had to have her hair teased and pulled quite a lot to get that great shape.

We got to the location and had some time to look around.  I wanted to put fake nails on Eva, but when I was putting them on the entire bottle of super glue spilled on me…ruining my favorite dress!  Not a good omen…….

Luckily for me when I start working I get too focused to feel anything like nerves……..or notice anything going on around me…..Good thing my mom there to keep giving me time updates or I would have completely lost track.   Surprisingly, the time thing turned out to not be as big of deal.  The prosthetic went on really well and without problems.  I’m also really thankful for all the time I spent working for Edge of Hell.  All the airbrush practice and learning to make monsters quickly really came in handy.  I was able to get the face and base color on in under an hour.  Also, HOORAY FOR STENCILS!   I found a great one that added a wonderful texture very quickly.

With the face done sooner than expected I had plenty of time to focus on the body painting.  I may be very new to prosthetics, but I’m pretty confident in my abilities as a body painter.  I really hoped that having both special effects AND body paint would help me gain points.  I was really proud of how the eyes and mouth came out.  I think having the face added a lot of humor to the piece.

Even more than the body paint work, I was incredibly proud that I finished with TIME TO SPARE!  That is a major accomplishment for me.

When they lined up all the contest entries I was excited to get to see the other work.  There were some really amazing entries.   When they announced me as the winner I was elated.  I couldn’t have done it without the support of the people who believed in me and who have encouraged me over the years.  Credit also goes to the amazing Eva Melinda, who brought life to the makeup and pushed it further.  Also, thanks to Kansas City Crypticon, US TOY, and the Stan Winston School of Character Arts who all supplied prizes and sponsored the contest.

After the contest came even more fun!  We all went out into public and got to watch Eva freak out pedestrians.  We went to dinner at Beer Kitchen down in Westport.  It was great fun.  We also lucked out, when the photographer Cody James agreed to do a very last min photo shoot of the work.  He did a great job bringing out the horror and making the makeup look even scarier.

Thanks again to everyone involved!

Tom Savini taking a picture of my work. The judges and usout on the town!

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Photography: Cody James Model: Eva Melinda Hair: Amie Renee's

Photography: Cody James
Model: Eva Melinda
Hair: Amie Renee’s

LINKS:

ALLISON CHASE MAKEUP FACEBOOK: https://www.facebook.com/allisonchasemakeup

CODY JAMES ARTOGRAPHY:  https://www.facebook.com/cody.artography?fref=ts

EVA MELINDA MODEL: https://www.facebook.com/EvaMelindaModeling

AMIE RENEE’S HAIRSTYLING:  https://www.facebook.com/AmieRenees

KANSAS CITY CRYPTICON: http://www.crypticonkansascity.com/

Game of Thrones Behind the Scenes!

I’m a gigantic fan of Game of Thrones.  To those of you who are unfamiliar with this show/books  GET FAMILIAR!  It is the MOST AWESOME show ever on television ever!

Our Game of Thrones inspired shoot was focused on Daenerys and her dragons.  We went with a scene from Clash of Kings featuring her in the RED WASTE.  I was lucky enough to find a model who was not only right for the part but had short blonde hair as well.   For those who have read the book, all of her hair is burned off and is quite short during her trek through the desert.  I liked the idea of being able to have pictures of her with a long wig for the TV show buffs, and short hair for those of us who read the book and like those little details.

The day started off early.  9am call time.  We drove out to Independence where our photographer, Julie O’Neil, has her studio.  Julie was awesome and supplied us with endless episodes of GAME OF THRONES to watch during the very long painting process.  Each dragon took between 1 and 1.5 hours.  Our lovely model, Chelsea Leaver, was lucky when I painted Drogon.  He was located on her shoulder so she got to sit down.  She was not so lucky with the other two, which required her to stand very still during the entire process.  What a trouper though!

On to the makeup and wig!  I went with a very light coat of makeup for her face.  Chelsea has insane bone structure and eyes and very little makeup was needed to have her stand out.  I had a lot of fun with the wig!  We used a cheap platinum mermaid wig.  It worked out well because we needed it to look really messy.  Any time I had to hide the wig’s netting I could just pull out loose strands.   I don’t normally style hair so I was really proud of how well it turned out.  I used a youtube tutorial.  This girl is amazing and has tutorials from several Game of Thrones styles: http://www.youtube.com/watch?v=zrdLG2hEZuE&feature=c4-overview-vl&list=PLHZvUpJ8tQdv6JRK8Resz1s8FLpXFBqA1

A very talented friend of mine custom made a dothraki costume for us.  It needed to cover less skin that Daenerys’s usual costume from the show, so that it wouldn’t cover up the painted dragons.  The costume we received from Christy Artzer of Plaza Weavers Alterations, was absolutely perfect for the shoot.

After the costume, wig and makeup was all done, Chelsea looked a bit too much like a Disney princess.   The only solution?  Cover her with dirt and ash!   There is this excellent stuff from Ben Nye called Prarie dust.  It worked out great and was really fun to apply.  We effectively made Chelsea look as if she’d been stranded in the desert without a bath for days.

We found a great location with lots of rocks and dirt.  The weather, which had been a lovely 80 degrees all week decided to spike to a horrid 95 plus humidity, just for us!  I think it actually rose during our shoot, but I didn’t have a thermometer with me.  Perhaps Mother Nature wanted our desert shoot to be as accurate as possible.  Everyone involved was able to push through the heat and get some great shots.   Afterwards we all went out for some well deserved ice cream!

One of my favorite shoots so far.  Can’t wait for the pictures to finish being edited so that I can post them for you!  Here are some links of those involved

Photography: http://www.tisjewelphotography.com/

https://www.facebook.com/tisjewelphotography

Costume: http://www.plazaweavers.com/

My Facebook: https://www.facebook.com/allisonchasemakeup

Sketching our cute little curled up dragon.

Sketching our cute little curled up dragon.

Dragon number 3 almost complete!

This is me with my green paint all over my face.  Earlier i touched my eye and got black/purple all over it.  It looked like i'd been punched in the face.

This is me with my green paint all over my face. Earlier i touched my eye and got black/purple all over it. It looked like i’d been punched in the face.

Here's Chelsea with all her lovely dirt!

Here’s Chelsea with all her lovely dirt!

NEW BLOG!

Hello all!  I’ve decided to start a blog!  I have so many fun and interesting stories from behind the scenes of my shoots, I thought this could be a fun way to share them all and give people a better idea of what it’s like to be a makeup artist on shoots.   I’ve been lucky enough to be involved in some amazing projects.  I think whenever I get to do bodypainting or special effects.  I’ve tried to stay as well rounded as possible.  There isn’t a single genre of makeup I don’t like doing!

Anyway, here are some of my favorite works to date!  More to come soon!

 

Photography: Cody James Model: Eva Melinda Hair: Amie Renee's

Photography: Cody James
Model: Eva Melinda
Hair: Amie Renee’s

Photography: Jim Peterson Bodypaint: Allison Chase Makeup and Hair: Jennifer Sullivan Cassidy Models: Angela Faith, Shannon Oshea, Eileen Chase, Eva Melinda

Photography: Jim Peterson
Bodypaint: Allison Chase
Makeup and Hair: Jennifer Sullivan Cassidy
Models: Angela Faith, Shannon Oshea, Eileen Chase, Eva Melinda

Photographer: Jim Peterson Makeup: Allison Chase Hair: Samantha Nold Model: Jenny Deliche

Photographer: Jim Peterson
Makeup: Allison Chase
Hair: Samantha Nold
Model: Jenny Deliche

Photography: Kris Hanke Makeup: Allison Chase Model: Rose Lorali

Photography: Kris Hanke
Makeup: Allison Chase
Model: Rose Lorali

Photography: Daniel Welch Makeup: Allison Chase

Photography: Daniel Welch
Makeup: Allison Chase

Photographer: Keith Foster Makeup: Allison Chase Model: Cody Jo Furne

Photographer: Keith Foster
Makeup: Allison Chase
Model: Cody Jo Furne

Photography: Presely Anne  Makeup: Allison Chase Model: Taylor Barber

Photography: Presely Anne
Makeup: Allison Chase
Model: Taylor Barber

Photography: Jim Peterson Makeup: Allison Chase Hair: Amie Renee's Model: Christen Mazurak

Photography: Jim Peterson
Makeup: Allison Chase
Hair: Amie Renee’s
Model: Christen Mazurak